Skip to main content

Ready or Not ... The thrilling hunt is on

Ready or Not is a fun and gory thriller, even though those two statements feel like they shouldn’t belong in the same sentence. The film stars Samara Weaving who does a great job showing the lengths of her characters frustration in the movie. The picture brings about its thrilling, and gory, moments in a manner that I can only describe as realistic. I also don’t mean realistic as in it obeys the laws of physics, but that all the characters act in line with how they should be in their respective situations. Additionally, the moments of comedic levity don’t actually feel like they should be comedic moments at the start. However, this dynamic works for the film incredibly well as you’ll find yourself laughing at unexpected times while simultaneously gasping out of shock. Samara Weaving also made a great main character, and there’s something about a character in a wedding dress holding a shotgun that I personally find incredibly appealing. The rest of the cast also did well with their respective character roles. My favorite of the group was Melanie Scrofano who plays the coked up family screw-up and she never failed to make me chuckle. Andie MacDowell and Henry Czerny both nail their parts with an admirable job of accentuating their roles as the family heads. Ready or Not also uses a very interesting device that is typically in more horror centric films. The concept of whether the supernatural is real or not is played with through out the entirety of the movie till the very end, as opposed to other horrors films. I often find that in these horror films that around the end of the first act the character who said “Ghosts aren’t real!” is usually already being dragged off by some demon. In the end I would recommend watching Ready or Not if gore doesn’t bother you and you’re just looking for what I would say is a fun, visceral thriller with a solid main character.


Image result for ready or not movie poster

Comments

Popular posts from this blog

47 Meters Down: Uncaged ... Also 47 points below average

47 Meters Down: Uncaged is another movie in the line of tradition that celebrates the venerated big predator of the sea, the shark. The movie is also an unnecessary sequel to 2017’s 47 Meters Down, but that’s not important or relevant to anything in this film. The movie stars Sophie Nelisse and three other young actresses as they all get into shark infested waters on an underwater expedition gone wrong. Unfortunately, the movie doesn’t want you to see any of that as the visuals are for the most part dark and confusing. On the other hand the jumps scares are well timed, don’t feel cheap, and consistent through out the film. This does not justify the film because a few timely jumps don’t make a movie. The films plot is lazy and although it does have some nice Mayan ruins flavor, the rest of it is completely uninteresting. The film lacks great hefts of dialogue and while I think it’s normal to for characters in a shark film to scream, I was hoping more than a script that I imagine was ha...

Joker ... Witness the tragic origins

Joker stars Joaquin Pheonix as Batman's greatest villain the Joker. Even though this is a Joker movie there is no Batman in sight. This movie is part origin story, part tragedy, and part social commentary of modern society. The movie portrays the DC villain in a way that makes the viewer feel almost uncomfortable with how easy it is to understand how a fictional villain like the Joker could exist in modern society. As I mentioned previously this is also the Joker's origin story, which means it's told from the Joker's perspective and in his mind he's the hero of the story. This also plays to how it's a tragedy because the rising of The Joker is not an intentional move, he is almost brought into that role by those around him which makes him disturbingly relatable. The Joker's rise could even be attributed to the lack of funding or resources that is put into Gotham's mental health care services. This dives into the social commentary in the film. Joker may n...

Once Upon a Time in Hollywood ... A review of a fantasy

Once Upon a Time in Hollywood can best be described as a historical fiction, which is actually implied by the title of the film. The movie is a three-hour marathon, in true Tarantino fashion, but it is saved by two major factors that neatly divide the movie. The first part of the film that comprises a majority of the movie is in all honesty quite slow, which is a curious thing to say about a movie that is already 3 hours long. However, the film doesn’t feel boring because of its stylistic shooting, entertaining characters, and it's well crafted intriguing plot. The plot doesn’t seem intriguing on the surface yet the film gives the audience a desire to keep watching to find out what the movie is really about. The entire first part of the film essentially serves as a Chekhov’s gun for the approximately last 20 minutes of the film. The beauty of this set up is that nothing is wasted. These last 20 minutes are a completely wild and insane ride that calls upon every detail that was pre...